In the fundamentally dual religious constitution in Japan, ideologies and traditions form a heavy role in the everyday aliveness of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism culmination in from mainland Asia. A curiously postful idea from Buddhism is mononucleosis no aware, the realization and character reference of the impermanence and its place in the world. This idea that nonentity remain the same unceasingly manifests itself to a great extent in Japanese literature, whether in personal writings or fictional solves. Despite spanning hundreds of years, to each matchless work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences surrounded by them. In this paper, I sire three works that I will explore, each one corresponding to a contrary time period in advance the pre-industrial revolution; The Diary of chick Murasaki comes from the classical period, Es offers in idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.\nKenko, the Buddhist monk and compose of Essays in Idleness, took great comfort in the idea of impermanence. A hefty amount of this work deals with Kenko talking about Buddhist set and the beauty of assortment. He felt that if man was never to fade like the dews of Adishino, never to vanish like the spate over Toribeyama, but lingered forever in the world, how things would lose their power to move us!(Essays in Idleness, 7). This quote, directly from Kenos mind, demonstrates just how greatly he holds Buddhisms mono no aware in esteem. If everything was to bewilder static in this world, nothing would seem beautiful. Kenko goes on to say that nothing in life is more precious than suspense(Essays in Idleness, 7). Again, this reinforces how greatly Kenko values the consta nt nature of change in the world. However, it is import...